Course Directors

 

David Adshead, FSA

David Adshead, FSA

DIRECTOR, THE ATTINGHAM SUMMER SCHOOL; DIRECTOR, THE LONDON HOUSE COURSE

David Adshead is an independent historian.  He was previously Head Curator and Architectural Historian for the National Trust.  He has written extensively on aspects of the country house, for thirteen years editing the National Trust’s Historic Houses and Collections Annual, published in association with Apollo Magazine, and has most recently edited the monograph Hardwick Hall: A Great Old Castle of Romance (Yale University Press 2016).  A former chairman of the Society of Architectural Historians of Great Britain he is currently a trustee of the Emery Walker Trust and a member of the Walpole Society’s Executive Committee.

Elizabeth Jamieson

Elizabeth Jamieson

DIRECTOR, THE ATTINGHAM STUDY PROGRAMME 2018 (The Horse and the Country House)

Elizabeth Jamieson is an independent researcher, lecturer and furniture historian. She is the external advisor to the National Trust on carriages and is currently writing a book on the subject for Philip Wilson publishers. She has just completed a two and a half year secondment as Research Fellow at Leeds University, working on the AHRC project: ‘Antique Dealers: the British Antique Trade in the 20th Century’. Elizabeth was formerly a member of the English Furniture Department at Sotheby’s and before that she worked for the antique dealer Partridge Fine Arts. She was Council Member and Hon. Newsletter Editor for the Furniture History Society from 2010-2015.

Rebecca Lyons

Rebecca Lyons

DIRECTOR, ROYAL COLLECTION STUDIES

Rebecca Lyons is an experienced lecturer, writer and researcher in art history and the history of collecting, currently working on George IV and his picture collecting. She began her career at the National Gallery, lecturing, running the adult programmes, writing documentary films to accompany exhibitions and co-curating several touring exhibitions. She has worked freelance for several institutions including Buckingham Palace and began working for Christie’s in 2002. Latterly, Rebecca was Director of the Fine & Decorative Art: Renaissance to Modern Undergraduate and Postgraduate programmes at Christie’s Education, London/University of Glasgow until 2017. Rebecca is part of the steering committee for the Society for the History of Collecting and Chair of Governors at a leading London primary school.

Andrew Moore, PhD, FSA

Andrew Moore, PhD, FSA

DIRECTOR, THE ATTINGHAM STUDY PROGRAMME 2017 (Rome and Naples)

Andrew Moore PhD, FSA is an independent curator, lecturer and author. He has written and co-authored numerous publications, which include A Capital Collection, (co-editor and contributing author with Larissa Dukelskaya, Yale University Press with the Paul Mellon Centre of Studies in British Art, 2002) and Houghton Hall Portrait of an English Country House (co-author with David Cholmondeley, Rizzoli 2014). He is currently guest curator of the forthcoming exhibition The Paston Treasure and co-editor of the accompanying publication (Yale and Norwich, 2018).

Annabel Westman, FSA

Annabel Westman, FSA

EXECUTIVE DIRECTOR, THE ATTINGHAM TRUST

Annabel Westman is an independent textile historian, lecturer and advisor on historic interiors for heritage bodies.  Over the past thirty-five years, she has researched and written extensively on the subject and advised on numerous textile furnishing and restoration projects at a wide variety of properties working with the National Trust, English Heritage, Historic Royal Palaces, national and regional museums among other organisations in Britain, Europe and the USA.  She is a Trustee of the Stowe House Preservation Trust and a member of its interiors working group.  She was Director of the Attingham Summer School from 1993-2005 and has directed several Attingham Study Programmes. She was Director of Studies before her appointment as Executive Director of the Trust in 2012.

Tessa Wild

Tessa Wild

ASSISTANT DIRECTOR, THE ATTINGHAM SUMMER SCHOOL

Tessa Wild is an Independent Curator and Collections Adviser at Houghton Hall, Norfolk.  She is currently co-curating an exhibition opening at Chatsworth in 2019.  She previously spent seventeen years as a curator for the National Trust in East Anglia and London and the South East.  In 2016, she was awarded a Paul Mellon Mid-Career Fellowship to undertake research for her book, William Morris and his Palace of Art – Architecture, Interiors and Design at Red House, which will be published in spring 2018.  She is a trustee of the Emery Walker Trust.